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 A Comparative Study of the Concepts of Love, Man, Nature and Silence in Rumi’s and Whitman’s Poetry

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M.A. Thesis in English Language and Literature

 A Comparative Study of the Concepts of Love, Man, Nature and Silence in Rumi’s and Whitman’s Poetry

ABSTRACT

This thesis examines the four motifs of love, man, nature and silence in the works of Rumi and Whitman. The motifs were chosen from among the most frequent ones in the works of the two poets which somehow determine their mindset and worldview. Each motif will be investigated in a separate entry, which is itself subcategorized for a detailed examination of the underlying themes.

     Regarding the fact that a genuine comparative work investigates the similarities as well as the differences, this research aims at both of them equally for a complete and thorough understanding of the two poets who had great influences on their cultures. Approaching the two poets not from the French school’s angle, to avoid its positivistic rules, but from the American school’s side which is more resilient and speaks simply of literature, the thesis is after applying thematology on the method of rapproachement.

     Building on the work of the comparatist Jost who, basing his theories on the German system of thematology, considers what is normally known as theme in the Anglo-Saxon world as being motif and vice versa, and investigating some other comparatists’ notions like Aldridge, Prawer and Wiesstein on thematology,  the thesis argues that in spite of numerous thematic similarities between the two, there are differences which are the result of the poets cultural, geographical, political background not to mention the huge time gap between them.

Keywords: Rumi, Whitman, American School, Thematology, Rapproachement.

TABLE OF CONTENTS

1                                                           Chapter One: Introduction

2                                                         1.1. Background of the Study

5                                                  1.2. The Significance of the Study

7                            1.3. The Objective and the Scope of the Study

 8                                                                                                          1.4. Review of Literature

13                      1.5. The Theoretical Framework and Methodology

Chapter Two: The Investigation of the Four Motifs and Their Themes in Jalaluddin Rumi                                                                               22

                      

        2.1. Love                                                                                    25

       2.1.1. Love is indescribable                                                        25

       2.1.2. Love is the Cause of the Universe                                   28

        2.1.3. Religion of Love                                                              31

        2.1.4. Love and Wisdom                                                            32

        2.1.4 Beauty is in the Eyes of the Lover                                   37

        2.2. Man                                                                                    39

        2.2.1. Man as a Caliph on Earth                                                40

         2.2.2. Self-awareness as the Biggest Quality of Man                42

        2.2.3 Self-awareness is the Key to Knowing the World           43

        2.2.4. Man’s Microcosmic Appearance (Zahir) and His

        Macrocosmic Essence (Batin)                                                  45

        2.5. The Human’s Rankings                                                     47

        2.3 Nature                                                                                 52

        2.3.1. The Use of Natural Imageries by Rumi                         52

        2.3.2. The Reason that Nature Came into Being                      53

         2.3.3. The Entire Nature Prays for the Beloved                       54

2.3.4. Oneness of Being (Vahdat al-Vojoud)                            56                                                                                                        57                            2.4. Silence

Chapter Three: The Four Motifs and Their Themes in Walt

        Whitman                                                                                   63

       3.1. Love                                                                                    65

       3.1.1 Amative love and adhesive love                                       67

       3.1.2 Love as the unifier of all religions and creeds                  72

       3.1.3 Love beyond good and evil                                               75

        3.1.4 Love the leveler                                                                77

        3.2. Man                                                                                     79

        3.2.1. Celebrating the Divine self                                              80

         3.2.2. Whitman’s Ideal Man                                                     83

         3.2.3. Self-reliance                                                                    84

         3.3. Nature                                                                                 86

         3.3. 1. Transcendentalism                                                          88

         3.3.2 Unity                                                                                 89

         3.4. Silence                                                                                90

         3.4.1. Whitman’s silent art                                                        93

         3.4.2. Whitman’s intuitive silence                                            94

         3.4.3 Death                                                                               98

    Chapter Four: Conclusion: Affinities/Similarities and Differences

                                                                                                          102

     Bibliography:                                                                             110

                                                                                                         

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